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Bronwyn Oliver : ウィキペディア英語版
Bronwyn Oliver

Bronwyn Joy Oliver (née Gooda, 22 February 1959 – 11 July 2006) was an Australian sculptor who worked primarily in metal. Raised in rural New South Wales, she trained at Sydney's College of Fine Arts and London's Chelsea School of Art. She had early successes, winning a New South Wales Travelling Art Scholarship in 1981 and the Moet & Chandon Australian Art Fellowship in 1984. Oliver settled in Sydney, where she practised and taught until her death by suicide in 2006.
Oliver's sculptures are admired for their tactile nature, their aesthetics, and the technical skills demonstrated in their production. In her later career, most of her pieces were commissions, both public and private. Her major works include ''Vine'', a 16.5-metre-high sculpture in the Sydney Hilton, ''Magnolia'' and ''Palm'', in the Sydney Botanical Gardens, and ''Big Feathers'' in Brisbane's Queen Street Mall. Recognition of her work included selection as a finalist in the inaugural Helen Lempriere National Sculpture Award in 2000, inclusion in the National Gallery of Australia's 2002 National Sculpture Prize exhibition, and being shortlisted for the 2006 Clemenger Contemporary Art Award. Her works are held in major Australian collections, including the National Gallery of Australia, the National Gallery of Victoria and the Art Gallery of New South Wales.
== Early life ==

Oliver was born Bronwyn Gooda on 22 February 1959, in Gum Flat, west of Inverell in New South Wales. Her parents were Milton, a farmer turned greenkeeper, and Wendy, who worked in a pharmacy. Her creativity was nurtured from a young age. Aged just eight, Oliver attended weekend art classes in Inverell run by Ian Howard, who went on to become dean of the college in Sydney where she would later study.〔 As she was dux of her school, her parents expected her to go on to university. However, Oliver wished to pursue a creative career. When she told her parents of her plans, her mother replied, "Darling, your father and I are very pleased you're going to art school, but if you'd been a son, I think we'd be a little disappointed." A rift subsequently developed between her and her family that resulted in her having no contact with them for 25 years.
After leaving school, Oliver studied and worked in Sydney. She had intended to enrol in painting classes, but a computer error placed her in the sculpture course: she later said "I knew straight away I was in the right place".〔
She graduated from the Alexander Mackie College of Advanced Education, now the University of New South Wales College of Fine Arts, in 1980. Winning a New South Wales Travelling Art Scholarship in 1981,〔 she then completed a master's degree at Chelsea School of Art in 1983. Her work was influenced by Richard Deacon, Antony Gormley and Martin Puryear under whom she studied while in England. Upon returning from the United Kingdom, she immediately met with further success, when in 1984 she won a Moet & Chandon Australian Art Fellowship.〔 In 1988 she was granted a period as artist-in-residence in the city of Brest on the coast of Brittany, where she studied Celtic metalworking techniques.〔

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